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Michael Price: Entanglement - VINYL LPTitle: Entanglement Artist: Michael Price Label: Erased Tapes Product Type: VINYL LP UPC: 4050486110171 Genre: Classical, Classical Vocal Crossover Release Date: 2015 04 28 Number of Discs: 1 Additional Details: DIGITAL DOWNLOAD CARD LP version. Includes download code. No click tracks, no headphones, and no film. Just the spontaneity of performance and the sound of musicians hearing, connecting, and responding. Michael Price's first work as a composer
Title: EntanglementArtist: Michael Price
Label: Erased Tapes
Product Type: VINYL LP
UPC: 4050486110171
Genre: Classical, Classical Vocal Crossover
Release Date: 2015-04-28
Number of Discs: 1
Additional Details: DIGITAL DOWNLOAD CARD
LP version. Includes download code. No click tracks, no headphones, and no film. Just the spontaneity of performance and the sound of musicians hearing, connecting, and responding. Michael Price's first work as a composer was for contemporary dance choreographers, after which he worked as Michael Kamen's assistant on the score for Event Horizon (1997). Price has since been a part of many film score projects. He describes his 2013 string quartet EP A Stillness (ERATP 047EP) as a cathartic and inspiring experience... I saw that here were people with clear sight and great ears creating a musical family, which seemed far removed from the compromises of the commercial mainstream. And yet bringing beautiful, intelligent, forward looking music to a similarly thoughtful audience. Price follows that release with Entanglement, his debut full-length album and the fulfillment of his long-held desire to explore new musical territories. It features Price on piano, with cello, soprano voice, string orchestra, modular synthesizer, tape effects, and electronics. The cello and soprano vocal parts were written specifically and directly for cellist Peter Gregson and vocalist Ashley Knight, whose expressive voice features on tracks Maitri and The Uncertainly Principle. The lyrics for both songs are Japanese poetry sung in English, dealing with age, loss, and the inevitable fading of beauty. Other elements include street sounds from Budapest captured and processed on Price's mobile phone, as well as chamber music recorded direct to tape with vintage microphones in single takes. The Attachment was partly recorded onto a 1940s magnetic disc recorder. Price describes the album's conceptual foundation: Entanglement is a very personal expression of my obsessions: music, love, physics, and the interconnectedness of things. There is structure and freedom, chaos and control, and the beauty of ancient instruments set against impassive machines... I wanted to make an album that sounded like a dark, Berlin record store discovery from the '30s. Something that had timeless emotive power, and pre-digital rawness. Something that I hope would make a deeper connection in superficially networked times. I think there is a duty for artists to be honest, and vulnerable. Because then there is a possibility of real connection. Entanglement is both honest and vulnerable and to go through the two year process of writing, refining, and recording an album has been more intense and more beautiful than I could have possibly imagined. Recorded and mixed at Vox-Ton, Berlin.
Tracks:
1.1 01. Tape Overture
1.2 02. Easter
1.3 03. Little Warm Thing
1.4 04. Budapest
1.5 05. the Attachment
1.6 06. Maitri
1.7 07. Digital Birds
1.8 08. the Uncertainty Principle
1.9 09. Entanglement
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4.2 ★★★★★
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Product Reviews
★★★★★ 5
Entertaining, educational and provoking
Format: Hardcover
I really didn’t expect this level of enjoyment from reading a book about a serious law material. This book is entertaining almost like a thrilling mini series to me due to the author’s great storytelling. Vivid arguments in various courtrooms over decades, sad stories of victims, some hilarious cases (especially Smith), unjust and unfair cases, interesting judges, … I just enjoyed reading them over cover to cover.
It is definitely educational. I don't have any legal background and I hardly knew Section 230. After the joyful reading, I could learn history, importance and main issues of Section 230. I believe it is a must-read to many people including software engineers like me.
I couldn’t be comfortable when the author compared the amount of benefit of Section 230, which has promoted proliferation of US Internet business, to the amount of suffering of women, children, and unfairly defamed people. However, I believe the author, on purpose, provoked this discussion. Including his own sincere opinion, he introduced various discussions deeply in later chapters, which helped me to think a lot.
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Reviewed in the United States on February 12, 2021
★★★★★ 4
Interesting and clear
Format: Kindle
The book reviews the history of the law that protects interactive websites from prosecution due to defamation. The discussion is interesting and straightforward, but there are too many unimportant details in some places.
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Reviewed in the United States on November 2, 2022
★★★★★ 5
The most well researched book about Section 230 and free speech on the Internet
Format: Hardcover
Many are calling for regulation of the tech industry. This book does an excellent job of outlining the “it’s not that simple” aspect of the debate. Some say big tech is doing too much to silence legitimate conversations and others say they are not doing enough to combat hate speech and false information.
Regardless of which side you fall on it is important to know the history and this book is a well written account. Professor Kosseff does an excellent job of both presenting the history of Section 230, but also mixing in his well reasoned opinions about how we should proceed. Most importantly posing the question of if you don’t want big tech regulating the internet, you better think long and hard about who you do want, and what that will look like.
This should be a mandatory read for any tech reporter who even utters the words “Section 230”. Thanks for the information.
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Reviewed in the United States on August 26, 2019
★★★★★ 5
The book that might save the internet
Format: Hardcover
The level of misunderstanding about Section 230 in media and government is astounding. All they have to do is read Kosseff's book to clear up their misunderstanding. The New York Times made a colossal mistake confusing Section 230 with the First Amendment. I hear media people all the time thinking they can't moderate comments because of Section 230 (the opposite is true). I see politicians going after Section 230 because they think it is the root of the net's problems (they are dead wrong). Section 230 is our best protection of free expression and human dignity on the net, for as Kosseff clearly explains, it is intended to enable the public conversation (by not making platforms -- including news organizations -- liable for what others do on their sites) and it is also intended to empower platforms and media companies to moderate what people do on their sites to their own standards. The law is short and clear and is vital to the future of the net and the public conversation on it.
Kosseff puts forward an excellent history of the development of legislation and case law on free expression in books, movies, and other media. He talks with the creators of Section 230 and explains their goals and motives. He outlines the debate about the law.
That debate is now reaching a critical phase in both media and Washington. Thus Kosseff's book is a document of urgent importance. I wish some rich person would come along to buy every member of Congress and every news organization a copy so they don't keep screwing this up.
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Reviewed in the United States on September 5, 2019
★★★★★ 3
Please use a larger font
Format: Hardcover
Over 60 and sometimes have a difficult time with too small print? My advise .. either read it on an ebook or skip this one.
I read the first chapter despite the small font size that made it a little too difficult to read. While I found it informative and well worth reading I'm probably not going to read anymore and return it to the library. Mass market paperback books with small print I can understand. Hardback non-fiction books (which are generally read by an older crowd I suspect) make no sense to me.
5 stars for the content I read. 1 star (generously) for the font size.
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Reviewed in the United States on January 6, 2020