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Description
FBT ProMaxX 110A Powered SpeakerPRO MAXX offers 6 presets to cater for a broad variety of uses, each crafted by FBT engineers. Employing powerful DSP, the presets ensure reliability while eliminating distortion. ORIGINAL LIVE The renowned, smooth FBT sound VOCAL A special EQ setting to maximise speech intelligibility DJ Designed to keep the energy high and your audience dancing TOURING The reliability and the roar of the industrys most popular touring systems LOUDNESS The ultimate
PRO MAXX offers 6 presets to cater for a broad variety of uses, each crafted by FBT engineers. Employing powerful DSP, the presets ensure reliability while eliminating distortion.ORIGINAL / LIVE The renowned, smooth FBT sound
VOCAL A special EQ setting to maximise speech intelligibility
DJ Designed to keep the energy high and your audience dancing
TOURING The reliability and the roar of the industry’s most popular touring systems
LOUDNESS The ultimate preset for listening at a medium or low volume
WARM A special setting to emphasise full-bodied, low-mid frequencies.
FEATURES
2-way, bi-amplified, bass reflex design cabinet
Biamped: 700W RMS LF, 200W RMS HF, power amplifiers in Class D for LF and in Class H/AB for HF with switch mode power supplies
Digital signal processor with graphic display
Control Panel features balanced XLR/Jack input, XLR LINK OUT, 2 x Volume, RCA Stereo input, DSP display with rotative encoder and push
2 x M10 suspension points, 35 mm (1,3/8”) top-hat speaker stand socket, wall bracket mount flange plate
90°H x 60°V constant directivity horn
Front of House or Stage Floor Monitor: with 12°, 40° and 55° monitoring angles
250mm (10") LF woofer with 50mm (2") voice coil, custom made for FBT
25mm (1") throat exit B&C HF magnet compression driver with 34mm (1.4”) voice coil
Frequency response from 58Hz to 20KHz
Sturdy, gas-injected polypropylene molded enclosures, engineered to contain undesired resonance
Extremely light only 10.3kg/22.70lb
SPECIFICATIONS
Power cord: 5m
Net Dimension (WxHxD): 320 x 550 x 275mm
Net Weight: 10.3kg
Transport Dimension (WxHxD): 400 x 630 x 360mm
Transport Weight: 12.8kg
Configuration: 2 Way
Built in amplifier: 900w (700w LF + 200w HF)
Built in amplifier peak: 1800w (1400w LF + 400w HF)
Frequency Response: 58Hz - 20kHz -6dB
Low Frequency Woofer: 10" with 2" VC
High Frequency driver: 1" with 1.4" VC
Maximum SPL continuous/peak: 124/131dB
Dispersion (HxV): 90° x 60°
Input Impedance: 22kOhm
AC power requirements: 640VA
Input Connector: XLR/Jack Combo socket with XLR link out, RCA stereo input
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4.5 ★★★★★
Based on 1461 reviews
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Product Reviews
★★★★★ 5
By far, the best book of many I have read on this subject. Must read for anyone interested in this subject.
Format: Paperback
Best book I have yet read on the subject, and I have read many in research for the writing of my second novel. It relentlessly examines specific cases of lynching over time, but it is not a mere narrative of specific lynchings. It is an excellent analysis of the social, historical and cultural forces behind this horrendous practice. The book's discussion of the movie, Birth of a Nation, would by itself make this a valuable book, but the book's central theme is even more important. Its central theme, the public's desire for spectacle as fuel for lynchings, particularly after the abolition of legal public executions, is even more revealing. Also a good look at the social and cultural forces that over time led to the gradual demise of lynching as a phenomenon. A page turner for history readers. Warning -- man's inhumanity to man will make you simultaneously angry and sad.
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Reviewed in the United States on July 24, 2015
★★★★★ 5
WHITE MOB JUSTICE
Format: Paperback
More black men were hanged in America in the twentieth century than were hanged during slavery, the author of this book Miss Amy Louise Wood does an excellent job of revealing who and what group of Americans did this whole scale hanging of black men. Many white people who participated and witnessed these hangings were your everyday run of the mill American citizens as stated on page 80-81 "As visual extensions of the lynching itself, photographs could at times assuage crowds that had missed the opportunity to witness and participate in the violence. In 1934, the posse that captured Claude Neal, accused of raping and killing a young white woman named Lola Cannidy, chose to lynch him in the woods outside Marianna, Florida, rather than bringing him to the Cannidy home, where a large crowd had gathered in anticipation of the lynching. When the waiting crowd had discovered that the mob had lynched Neal privately, they were reportedly outraged. The mob finally arrived with Neal's body in tow, and the crowd, which included Cannidy's family, took out their vengeance on the corpse, kicking and shooting it, tearing it apart, and even driving their cars over it. Neal's mutilated, nude body was then hanged on the courthouse lawn in the center of the town, and hundreds of photographs were taken. he next day, as people congregated in the square to see the body, the photographs were sold to those purportedly still incensed that the posse who lynched Neal had denied them the satisfaction and pleasure of witnessing Neal's lynching. The images acted as visual replications of the actual spectacle, offering them vicarious access to the missed thrill of the lynching. The gratification local viewers derived from the images of Neal's lynched body was directly attached to their outrage over Cannidy's rape and murder, their fears of black criminality, and their desires to assert their racial power and superiority in the face of these threats."
Another interesting aspect of these mobs is the role religion played in their actions as stated on pages 67 "The performance of a lynching thus created a symbolic representation of white supremacy-a spectacle of demonic and wicked black men against a united and pure white community. That those images coincided with evangelicals' impassioned exhortations against sin gave lynching sacred force and justification. Indeed, the imprint of Protestant language and tropes on lynching rituals and defenses imbued the violence with divine sanction and made it appear familiar and recognizable to a people immersed in Christian beliefs and values. Mobs could thus conspicuously flout the law and perpetrate what otherwise would be considered aberrant and grotesque acts of sadism while considering themselves to be righteous and moral citizens."
In the twentieth century the hanging of black men was a major festive event for many on looking white people as can be seen in the pictures on page 32 and also on pages 78 and 79, on page 79 you can see a young white man smiling, on pages 95 and 102 there are more pictures of gleeful white spectators, on page 192 there is crowd participation in this picture of a hanging and burning black man I thank this author for writing this very much needed book.
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Reviewed in the United States on July 6, 2015
★★★★★ 5
A fresh take on lynching and its place in American culture.
Format: Paperback
A path-breaking study of lynching as spectacle and the meanings such events produced for the masses who attended them as well as for those who saw the photos and postcards afterwards. Wood's visual analysis of these images is impressive and cogent. Her writing is clear and accessible to a wide audience. This is cultural history at its finest!
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Reviewed in the United States on April 17, 2018
★★★★★ 5
Great book ...disturbing subjet
Format: Paperback
This book explained the rationale for lynching! It was just what I needed for my graduate course!!
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Reviewed in the United States on July 14, 2019
★★★★★ 4
Lynchers Were Worse Than I Thought,
Format: Kindle
It was worth the time and effort to get through this book. It has opened my eyes to the scapegoating of Black victims’ as the evil ones and whites as the religious moral ones.
That being said, this book was too detailed, making it slow reading.
Overall, it still was and is worth reading to understand this massive projection of guilt and evil on victims, and the taking of justice into mob rule.
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Reviewed in the United States on November 8, 2021