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Forces in Motion: Anthony Braxton and the Meta-Reality of Creative Music: Interviews and Tour Notes, England 1985A #1 New Release in Jazz Music on Amazon "Absolutely essential reading." The Wire One of modern music's towering figures, composer and multi instrumentalist Anthony Braxton has redefined critical concepts of jazz and the wider world of creative music. The Chicago native's works range from an early piece for 100 tubas to proposed compositions for orchestras on different planets. A modern classic, Forces in Motion follows Braxton's lauded quartet on a
A #1 New Release in Jazz Music on Amazon"Absolutely essential reading." -- The Wire
One of modern music's towering figures, composer and multi-instrumentalist Anthony Braxton has redefined critical concepts of jazz and the wider world of creative music. The Chicago native's works range from an early piece for 100 tubas to proposed compositions for orchestras on different planets. A modern classic, Forces in Motion follows Braxton's lauded quartet on a 1985 tour of England, noting his opinions of his musical predecessors -- including Charlie Parker, John Coltrane, and Karlheinz Stockhausen -- as well as his thoughts on racism and poverty.
For this new 30th anniversary edition, Graham Lock provides a new chapter, detailing later encounters with Braxton and the quartet; Anthony Braxton has penned a new Afterword as well. In addition to inside views of the mind of a musical visionary, this book offers an entertaining chronicle of a touring band. Braxton's subjects run the gamut from chess and hamburgers to astrology, feminism, and ancient Egypt. Above all, it offers a captivating view of the frustrations and rewards that result from an artist's dedication of his life to creative music.
"This book should be required reading for anyone interested in my music," Anthony Braxton has observed. "Graham Lock writes from the perceptual plane of insight and dedication -- coupled with a keen wit and a dynamic intellect. This is serious writing and thinking. I could not have been more fortunate."
"Remarkable. One of the most thorough and honest accounts you'll find of what it means to make truly uncompromising art in America. It's also, thanks to Lock's conversational, unpretentious style and Braxton's penchant for witty self-deprecation, a thoroughly approachable and at times even laugh-out-loud funny invitation into the aesthetic world of a man whose work can be as exhilarating as it is rigorous." -- Rolling Stone
"It's rare to get such an insight into band dynamics, musicians or the nature of sound and music itself, and Lock's book remains an outstanding work in the field of jazz, music, composition, sound and psychology. It may focus on Anthony Braxton, but Forces in Motion spirals out into a much wider and engaging world." -- International Times
Binding Type: Paperback
Publisher: Dover Publications
Published: 07/18/2018
ISBN: 9780486824093
Pages: 464
Weight: 1.40lbs
Size: 8.40h x 5.50w x 1.20d
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4.1 ★★★★★
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★★★★★ 5
Better than many expensive options
Size: 5 Fl Oz (Pack of 1), Size: 5 Fl Oz (Pack of 1)
I am shocked at how good this mineral sunscreen is. I am a mineral sunscreen junkie and have so many expensive ($50+ a bottle) high end versions. I have fair/light combo skin and hate greasy, pasty sunscreen. This mineral sunscreen rubs in quickly and isn’t greasy. It out performs MANY high end sunscreens. I love that it has 19% zinc (substantial compared to some others) and is waterproof 80 mins. One thing I found interesting (and awesome) is that iron oxide is listed (last) in the ingredients, which means it has a *very* slight tint. Iron oxide is shown to help block visible/blue light which can be important to people like me with discoloration. This sunscreen is pretty robust for a “basic” drugstore brand. The color is more of a (very pale yellow almost?) off white, not stark white, I think due to the iron oxide listed. I wouldn’t call it tinted, but at least it’s better than paper white sunscreen. In comparison to other thick, heavy, greasy stark white mineral sunscreens, this one is a breeze to rub in! I cannot find anywhere if this sunscreen is nano or non nano, so that’s something to take into consideration if you care, which I really do not. If nano sunscreen is a big concern of yours I would reach out to banana boat to confirm. I purchased this so I don’t have to use my expensive face mineral sunscreens on my body but shockingly this may end up being my new favorite mineral face sunscreen. It isn’t drying on me personally (combo skin leaning oily) and it also wore fine under makeup. The finish is a soft satin after dried down. I’m pretty blown away! It preformed perfect at the pool, even in humidity. I will most likely repurchase. I’m glad to not have to repurchase the more expensive MDSolar science mineral sunscreen I was previously using on my body. I purchased with my own money no paid review! 10 out of 10 for the value and performance from me!!!
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Reviewed in the United States on March 26, 2025
★★★★★ 4
Good but left white cast on my skin
Size: 5 Fl Oz (Pack of 1)
Overall, I bought this because of the zinc oxide; it is very easy to use, no strong odor, non-sticky. However, it still left white cast on my face. (The intensity of the white cast is still lower compared to other more expensive brand.)
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Reviewed in the United States on December 22, 2025
★★★★★ 5
Good lotion
Size: 5 Fl Oz (Pack of 1)
Good lotion. Goes on nice absorbs well great protection
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Reviewed in the United States on May 23, 2026
★★★★★ 5
Producto bueno
Size: 5 Fl Oz (Pack of 1)
Honestly, I really liked it. It has a good texture, doesn’t feel heavy, and leaves a nice finish. I’ve been using it every day, and so far it has worked well for me
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Reviewed in the United States on May 15, 2026
★★★★★ 5
Non greasy, not much white cast compared to other mineral sunscreens
Size: 5 Fl Oz (Pack of 1)
The only one my 13 yr old will tolerate. Its the least greasy feeling of any mineral sunscreen we've tried. At 19% zinc oxide, I'm happy. Its also the least "white" cast of any we've tried. My Fitzpatrick III daughter is happy about that
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Reviewed in the United States on April 18, 2026
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