SKU: 57792666187

Jose Bedia artwork- Camino y Salida.

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Description

Jose Bedia artwork- Camino y Salida.Jose Bedia artwork Camino y Salida, This is a monumental and outstanding example of Bedia's recent works on canvas. This is perhaps one of his finest paintings. It measures 71. 3 90. 6" (181 230 cm.) Fredrik Sintzer is now representing Bedia. They are very influential gallery, and their promotion of his work is likely to result in a very significant increase in pricing over the next 5 years, or so. These works are a great value, and are priced at well

Jose Bedia artwork - Camino y Salida, This is a monumental and outstanding example of Bedia's recent works on canvas. This is perhaps one of his finest paintings. It measures 71.3 × 90.6" (181 × 230 cm.)

Fredrik Sintzer is now representing Bedia. They are very influential gallery, and their promotion of his work is likely to result in a very significant increase in pricing over the next 5 years, or so. These works are a great value, and are priced at well under market value. Please inquire. Bedia has work in 35 museums including the Tate Modern in London, and any of these museums would be honored to have a work of this caliber in their collection. 

Few Cuban artists have developed a body of work as coherent and original as that of José Bedia. Although he is one of the most outstanding examples in the history of art in Cuba and Latin America, and he has also received international acknowledgement, his true importance has not yet been fully recognized. In his paintings, drawings and installations, José Bedia has not only used a hive of cultural references from Cuba, but also from Latin America, the Caribbean and Africa, focusing on those that western civilization, with its technological vanity and false idea of progress, has considered underdeveloped, backward or pre-modern. According to Bedia, his work is an attempt to rescue, through the discursive strategies of contemporary art, the dispersed fragments of that old wisdom which, to a greater or lesser extent, all those societies have in common, and which are of great importance to complete the deficits of our unbalanced contemporaneity. Bedia's creative method, seemingly spontaneous, intuitive and at times naive, is not only the product of previous rigorous study, but of the assimilation of formal, material, aesthetic, symbolic and historical elements from those cultures that have inspired him and that he reflects either in a simple drawing or painting or in one of his monumental installations. 

The often simple and schematic appearance of his works and the generally austere and synthetic character of his discourse follows the principle of doing more with less, concealing a conceptual and philosophical depth and an abundance of uncommon information, the result not so much of bookish study as of his contact and direct identification with the systems of knowledge of those cultural groups that some call native, aboriginal or traditional.

We unconditionally guarantee the authenticity of this work, and will offer a letter of authentication. 

Bedia's work is featured in many museum collections worldwide. Just a few are as follows:

Whitney Museum of American Art, New York, NY

Guggenheim Museum, New York, NY

Metropolitan Museum of Art, New York, NY

Museum of Modern Art, New York, NY

Loeb Art Center, Vassar College, Poughkeepsie, NY

Arkansas Arts Center, Little Rock, AR

Birmingham Museum of Art, Birmingham, AL

Contemporary Art Museum, San Diego, CA

MOCA, Long Beach, CA

Cantor Arts Center, Stanford University, CA

Honolulu Museum of Art, Honolulu, HA

Perseus Collection, Honolulu, HI

Fogg Art Museum, Harvard University, Cambridge, MA

Fort Lauderdale Museum of Art, Fort Lauderdale, FL

Hirshhorn Museum and Sculpture Garden, Washington, DC

Smithsonian Museum, Washington, DC

Spencer Museum, Lawrence, KS

McCormick Place Art Collection, Chicago, IL

Miami Art Museum, Miami, FL

MOCA, Miami, Florida

PAMM, Miami, Florida

Kendall Art Center, Miami, Florida

NSU Art Center, Ft. Lauderdale, Florida

Norton Museum of Art, West Palm Beach, FL

Polk Museum of Art, Ft. Lauderdale, FL

Bacardi Art Foundation, Miami, FL

Philadelphia Museum of Art, Philadelphia, PA

Phoenix Art Museum, Phoenix, AZ

Museum of Art, Rhode Island School of Design, Providence, RI

Walter Phillips Gallery, Bath, CanadaLudwig Collection, Aachen, Germany

Pori Taidmuseum, Finland

Tate Museum, London, UK

The Collection Daros, Zurich, Switzerland

Museo de Arte Contemporáneo, Monterrey , Mexico

Liceo Minvielle, Lagos, Mexico

Centro Cultural/Arte Contemporáneo, Mexico City, Mexico

Extremadura and Ibero-American Museum of Contemporary Art of Badajoz, Spain

MEIAC, DA2, IVAM, CAAM, Spain

Museo de Bellas Artes, Caracas, Venezuela

Museo de Bellas Artes, Havana, Cuba

Centro Wifredo Lam, Havana, Cuba

For more info call us at (323) 744-7550, or to see a greater selection of the gallery work, please visit our Artnet site at:





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Easy Read. As a Christian Woman, I am grateful to have read this before my marriage. The wisdom and advice is something I wish my own mother had given me years prior.
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The only thing I wish Elisabeth had covered is the concept of submission must be “as unto the Lord”which means not for the woman to submit to sin but to submit to her husband as she would Christ. Wives can submit as long as the husband is obedient to Christ in not compelling a woman to do something outside of the will of God. If the man is in submission to Christ then so is the wife. That is why it is so important for the woman to pray for her husband at all times.
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Excellent read and one every woman should read, especially if she is engaged, newly married, or her daughter is. It contains lots of marriage wisdom and encouragement from a Christian perspective that is missing in today's culture.
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I would like to mention that this is a great book, written by a greatly honored woman. Actually, my most honored author that will, more than likely, ever exist. I think it is alright for men to read this book, to better understand a small part of God's design of their wives or future wives, WHOM, also desires God's design for man and woman. If she does not, things can go bad, for the simple reason of wanting God's design. Also, to know their daughters. On a side note: there are three books (two my Elisabeth) that I think are great on the topic of God's design for the genders that should be read, but not leaned on. God should be the One we put our validation in, not a person or book. Personally, I think that this book should be read only with God, so He can hear all questions and smooth out what is not agreed with, and so it does not create any issues or expectations, and reading it should not be "known" by the spouse for the simple reason that I think it is important that spouses and future ones do not think the other is just listening to a book. Anyways, this is one amazing book pointing to God's design of woman.
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