SKU: 85178606000

H.G Kente Royal Cloth collection HGC128

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Description

H.G Kente Royal Cloth collection HGC128H. G Kente collection is extra special Kente thread and weaving done to bring the best quality Kente that specializes in many unique styles that are not found anywhere else. These style are mostly customized from the minds of Ghana's top designer's and are a mixture of centuries old styles mixed with a modern edge to them. MG HG imbedded into secluded area with a precious stone underneath along with a signed certificate by our CEO for proof of

H.G Kente collection is extra special Kente thread and weaving done to bring the best quality Kente that specializes in many unique styles that are not found anywhere else. These style are mostly customized from the minds of Ghana's top designer's and are a mixture of centuries old styles mixed with a modern edge to them.

MG HG imbedded into secluded area with a precious stone underneath along with a signed certificate by our CEO for proof of authenticity.

Beautifully gift warped and added MG shopping bag comes with shipping.

This high-end brand is exclusive to our Prestigious client base. 

Materials hand woven are: Cotton, Rayon.

This catalog includes patterns in the following: 

Name of Pattern

Literal Meaning

Symbolism

Interpretation/Brief History

Obi nkye obi kwan mu si

To err is human.

Forgiveness, conciliation, tolerance, patience, fairness

Sooner or later, one will stray into another’s path. To err is human, thus we must seek conciliation when offended, as we may be the ones asking forgiveness tomorrow.

Oyokoman na gya da mu

Crisis in the Oyoko nation.

Warning against internal conflict and strife, need for unity in diversity,  reconciliation

Commemorative of the civil war, subsequent to the death of Osei Tutu, between two factions of Oyoko royalty.

Sika fre mogya

Money attracts blood relations.

Familial relationship, responsibility, sharing, hard work

Wealth strengthens family bonds. And when one succeeds, one is obliged to share this success with loved ones.

Awia repue

Rising sun.

Progress, renewal, development, warmth, vitality, energy

The Progress Party that ruled Ghana between 1969 and 1972 used this symbol as its party logo.

Nsoromma

Stars.

Hope, high expectation, dependence on God, power of the people

The state belongs not to the king but to the people. The stars depict the people, while the moon is the king. Kings come and go, but the people remain.

Achimota nsafoa

Achimota keys.

Knowledge, harmony, unity in diversity

Commemorative of the Achimota School and College founded in 1927. It represents the school’s logo – the black and white keys of a piano. One can make melody on either set of keys, but one can only create harmony by playing the white and black keys together.

Akokobaatan

Mother hen.

Motherliness, tenderness, parental care and discipline

When the hen steps on the feet of her chicks, she does not mean to kill them. Parental admonition is not intended to harm, but to correct the child. The good parent feeds the children not only with food, but with love, warmth, care and tender affection.

Adwinasa

All motifs are used up.

Royalty, elegance, creativity, ingenuity, wealth, excellence, perfection, superior craftsmanship

The elders say that the original designer of this cloth, in an attempt to impress the Asantehene, decided to weave a unique cloth. In doing so, he made use of all motifs known to weavers at the time and then remarked that he had exhausted the then repertoire. The resulting cloth became one of the most prestigious of kente cloths.

Obaakofo mmu man

One person does not rule a nation.

Participatory democracy, warning against autocratic rule

Expressive of the Akan governing system based on participatory democracy. The nine squares represent “mpuankron” (nine tufts of hair), the ceremonial haircut of royal functionaries who helped rulers make decisions.

Sika futoro

Gold dust.

Royalty, wealth, elegance, honorable achievement, spiritual purity

Long before coins and paper notes, gold dust was used as a medium of exchange among the Akan people, and thus symbolized wealth and prosperity. The predominance of intricate patterns in yellow, orange and red visually depicts gold dust.

Abusua ye dom

 

The extended family is a force.

Strong family bonds, the value of family unity, cooperation, collective work and responsibility,

The extended family is the foundation of Akan society. Family members are collectively responsible for the material and spiritual well-being and protection of every member.

Emaa da

It has not happened before. It has no precedent.

Innovation, uniqueness, perfection, creativity, ingenuity, exceptional achievement

An Ashanti king of old is said to have been so awed by the uniqueness of this pattern that he exclaimed, “Eyi de emaa da,” meaning “This one has no precedent,” and it was thus reserved for his exclusive use.

Toku kra toma

Toku’s soul cloth.

Courageous leadership, heroism, self-sacrifice, spiritual vitality, rebirth

Commemorative of the soul of a warrior queen mother, named Toku, who, though defeated and executed in battle, was greatly revered and remembered for her bravery.

Wofro dua pa a na yepia wo

One who climbs a tree worth climbing earns the help of others.

Aspiration, hope, mutual benefit, sharing, nobility

When one attempts to climb a fruitful tree, he will be pushed up by others as they are assured of enjoying the fruits of his labor. Expressive of the Akan social belief that a worthy individual effort is deserving of communal support, a notion that reinforces the importance of aspiring towards a worthy cause.

Kyerekwie

The lion-catcher.

Courage, valor, exceptional achievement, inspiring leadership

Commemorative the reign of King Kwaku Dua (1838-1867) who tested the courage of his warriors by ordering them to catch a leopard alive.

Akyempem

Thousands of shields.

Military prowess, strength, bravery, political vigilance, spiritual defense

Referential to the shields used by well-organized armies of thousands of men and women who defended the Ashanti Kingdom with their lives.

Nyankonton

God’s eyebrow (the rainbow).

Beauty, grace, divine creativity, uniqueness, good omen

Created in adoration of the beauty and mystery of rainbows. The arrangement of the yarns mimics the visual representation of a rainbow.

 It's Common For Females To Use 6 Yards For Sewing Gowns, Dresses, Etc. Males commonly use 8 to 10 Yards and Overly Sized Men can have the Option of 12 Yards. And Children are Typically 4 Yards. Babies and Accessories Typically 2 Yards.

Female are sold in 3 Pieces

Male are Sold in 1 Piece 

Made In Kumasi GHANA 

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SKU: 85178606000

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Kurt
Whiting, US
★★★★★ 5
Great Sequel to Long Halloween
Format: Paperback
This takes all of the great elements of the Long Halloween and keeps it going. The two of those books together is a great story telling. Ticks all the boxes of a great Batman book. If you like this and Long Halloween check out The Penguin show on HBO Max. and if you like The Penguin but haven't read these two books you should since the show pulls a lot of influence from them.
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Reviewed in the United States on November 22, 2024
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kindlemom1 (My Guilty Obsession Blog)
Bozeman, US
★★★★★ 5
Worth the price!
Format: Paperback
Great set!
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Reviewed in the United States on November 8, 2025
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John Hall
Pawtucket, US
★★★★★ 5
The Robin Origin Tale We Needed
Format: Paperback
Hot off The Long Halloween Jeph Loeb and Tim Sale return for another murder mystery. This is a direct sequel and follows the aftermath of The Long Halloween. The art is stellar and the story is deep and dark. The trinity of Batman, Dent and Gordon is gone and the isolation is real. At the heart of it, life goes on. Sofia Falcone is back and ready to get revenge. Meanwhile, Dick Grayson's about to go through the darkest chapter of his life. There's a surprise villain who makes a chilling introduction and much more. If you wanted more after Batman: Year One and The Long Halloween, this is the book for you.
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Reviewed in the United States on May 22, 2025
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The Blue Thunder Bomb
Waukegan, US
★★★★★ 5
The Best BATMAN Tale since YEAR ONE.
When I first started reading Scott Snyder's run on DETECTIVE COMICS, I was unfamiliar with his work. It seemed like they had just grabbed a new name after arcs done by distinguished writers such as Grant Morrison (which I actually thought was terrible during his RIP arc), Greg Rucka (who did a brilliant job with bringing the character of Batwoman into the fold), and Paul Dini (whose work ranged from not great to just about perfect). Snyder just seemed like a Johnny-Come-Lately, and the previous arc on DETECTIVE had been particularly disappointing, but alas I had faith that another solid arc was due for the Darkknight Detective, so I kept collecting. Nothing could have made me happier, since Snyder and his partners in crime, artists Jock and Francesco Francavilla had crafted the most solid, unified and smartest Batman tale since Frank Miller and David Mazzucchelli's eponymous BATMAN: YEAR ONE. Not to get too bogged down in plot detail, but essentially, the "Black Mirror" arc begins with Dick Grayson as The Batman (since Bruce Wayne was too busy fighting his way through time... argh...) and he's closing in on a secret auction where 'collectibles' of Gotham's most notorious villains are being sold to an elite crowd of wealthy degenerates, such as Scarecrow's fear gas and the crowbar actually used to beat Jason Todd almost to death. The main villain of the piece is hardly Batman's most powerful enemy, but it does leave some psychic scars on Dick. Next Dick is forced to deal with a dead woman found in an office building. Hardly worth Batman's specific attention, but what is is that the woman's body was found inside a dead killer whale's mouth in an office building. Making matters more complicated is that the woman this murder is sending a message to is actually the daughter of Tony Zucco, the gangster responsible for the death of Dick's parents. While these stories are exciting, well-crafted and beautifully rendered by Jock, we enter a much more personal tale of Commissioner Gordon: the return of his son James Jr., who we haven't seen much of at all in his life. Apparently, James Jr. is a psychotic who is taking a new anti-psychotic medication and hopes to return back to society in some way. This becomes a very personal tale for the Gordon family, including Gordon's ex-wife Barbara and of course his daughter Barbara, formerly Batgirl and now the wheelchair-confined information gatherer Oracle. These interludes are illustrated by the brilliant Francavilla, whose every page looks like it's suitable for framing. Unfortunately for everyone involved, Jr. is not exactly what he seems to be and this leads to a small-scale but highly emotionally charged finale. Scott Snyder did several things in this book that very few before him were able to do successfully. First and foremost, he captured the essence of Dick Grayson bearing the responsibility of being Batman. It's not something he shirks from, but he does feel out of place living in Bruce's penthouse and basically taking the mantle of Batman is no small matter. He is more emotional than Bruce and has more issues with his own fears. Second is that he's one of the few writers to really get the essence of Batman being a detective. While Dick is not as brilliant as Bruce, he was trained by the best, and Batman is not just a machine of brute force dispensing justice with his fists and cool gadgets; he's also considered the world's greatest detective and it's always exciting to see an author with a good handle on that aspect of Batman. Third is Snyder's awareness of Gotham not just being a city, but as being an integral character in the adventures of Batman. There's a darkness to the city that the good people strive to rise above, which is why the partnership of Batman and Jim Gordon has been the lifeline of Gotham's survival. Also on wonderful display here is Snyder's understanding of the supporting cast. He gives all of them equal and necessary life in the story, and has a superb handle on their individual characters. In the few years since Snyder started in this business, first gaining prominence on AMERICAN VAMPIRE (which is another breath of fresh air to a dying genre) and then his work on DETECTIVE gaining him even greater accolades, he has become possibly the best writer currently at DC. Several people, including myself have heralded him as the next Alan Moore. He has an understanding of character, dialogue and structure that is unusual and continually striking. He's been the standout star of DC's "New 52", continuing his work on Batman with as well as bringing back one of DC's greatest horror titles, . He has also continued to establish himself as one of comic's premier horror writers by doing the best horror comic in years over at Image Comics called (you can find my review of that book via that link), as well as doing a mini-event that explores the beginnings of Gotham City in . THE BLACK MIRROR is a Batman classic that people will still be discussing in years to come, as well as his other work in the field. I couldn't suggest more highly picking up any of his books. It doesn't get much better.
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Reviewed in the United States on May 12, 2012
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JR. Forasteros
Natrona Heights, US
★★★★★ 5
Dark, Brooding and 100% Batman
This review is super-spoilery. If you haven't read The Black Mirror yet, do yourself a favor and go grab a copy ASAP. You won't regret it. No matter who we are, we can't escape our past. Where we've come from and who we've been leave indelible marks on us. Nowhere is this more true than Gotham City, and in Batman: The Black Mirror, Scott Snyder gives us a glimpse into the Darkness that lies at the core of the city. If you're not a regular Batman reader, you may not know that everyone in the DC Comics universe thought Bruce Wayne was dead for a while. While he was gone, Dick Grayson - the original Robin - took up the mantle of the Batman. After Bruce Wayne's return, he kept Dick as the new Gotham City Batman.* Black Mirror is actually a story featuring Dick Grayson - not Bruce Wayne - as the Batman. Snyder's story is one of the best Batman stories I've ever read. It's a dark, brooding and good, old-fashioned detective story. And it actually works better with Dick instead of Bruce under the cowl. That's a writing feat nothing short of miraculous. Snyder's Gotham is a monstrous city that seeks to poison everyone in it. It turned both Bruce Wayne and Dick Grayson into masked vigilantes. Dick was the child of circus acrobats who were murdered in Gotham. He was taken in by Bruce Wayne, who lost his own parents to Gotham criminals and trained Dick to become Robin. Eventually Dick outgrew the Robin persona and became Nightwing, working in a city near Gotham. Joining Dick in the spotlight of Black Mirror is Commissioner James "Jim" Gordon, who's no less a victim of Gotham's darkness than Dick. He and his first wife Barbara have a son named James, Jr., who left with Barbara when she and Jim divorced. Jim also has a niece named Barbara who came to live with him after her parents died. Barbara dated Dick in high school, and she became the first Batgirl. In Alan Moore's epic The Killing Joke, the Joker shoots Barbara in the stomach, paralyzing her. In a wheelchair, she's now the Oracle. She serves as the information hub for Batman, Robin and their allies. The Black Mirror introduces us for the first time to the adult James, Jr., who has returned to Gotham searching for a second chance. We learn from his suspicious father that James, Jr. is a clinical psychopath: he doesn't feel typical human emotion (yes, just like Dexter). But he comes claiming to be on a new medication that stimulates the brain to produce the chemicals psychopaths lack. He reveals that he's volunteering at Dr. Leslie Thompkins' free clinic. Jim Gordon is suspicious, distrustful. But he can't stop himself from being hopeful, too. Is it possible that his son has found peace and even redemption? Snyder keeps us guessing about James, Jr.'s true nature through the whole book. We feel the tension Jim Gordon feels, torn as he is between Oracle's pessimism and Dick's optimism. Barbara is convinced that James, Jr. is a monster who can and will never change, while Dick is hopeful. And so with this tension established, Snyder asks us a most basic question: can we be anything other than what we have been? We meet Sonja Branch, the estranged daughter of the mobster who killed Dick's parents. A wealthy, successful executive, Dick wonders to Jim Gordon if she's as upstanding as she seems. Dick muses that "it's nice to know that maybe, once in a blue moon, the apple does fall far from the tree in Gotham." The expression on Jim Gordon's face as he echoes, "Once in a blue moon," reveals that he's still wondering about James, Jr. An old case has led Jim to reflect on his son to wonder yet again what made him the way he is. To wonder what he could've done differently. He concludes that Gotham is fundamentally sick. He wonders to Dick: Do you ever feel like... like the more good you do or try to do for people out there, for strangers, the more the ones close to you, the ones you love, get hurt? ...I don't mean in general. I mean here. In Gotham... I'm talking about the damn bedrock. There are times I feel a dark heart down there, Dick. A dark, malformed heart. Since Alan Moore's The Killing Joke, the Batman mythology has suggested that Gotham's villains arise as a response to the Batman's presence. The Joker of Frank Miller's The Dark Knight Returns is comatose, awaking only when news breaks that the Batman has returned to Gotham. And Heath Ledger's Joker in The Dark Knight laughs that Batman thinks Joker wants him dead - the Batman completes Ledger's Joker. But Snyder dares to step beyond this to suggest that it's Gotham, the city itself that creates both the heroes and the monsters. Gotham created the Batman just as it created the Joker. Gotham created Robin by murdering Dick's parents. And now that Dick is the Batman, we learn that Gotham has been creating a new nightmare just for him. Dick's opposite, his dark mirror, isn't the Joker. That surprise comes when we finally meet the newly-escaped Clown Prince of Crime after Batman tracks him down. The Joker knows instantly, chastising Batman: Do you even know what Gotham means, little bird? ...It means a safe place for goats! And do you know what preys on goats? Bats. The bat makes the goat sick. But every bat does this in its own way. And you, you're not my bat! So what sickness has arisen as a response to Dick's new Batman? By the time we reach Snyder's gut-wrenching, perfectly, agonizingly timed reveal, we realize it could have been no one else but James, Jr. James, Jr. is a pure, true psychopath. He's reversed his medications - instead of stimulating the brain to produce more of the drugs that give us emotions, James, Jr.'s drug suppresses them. His master plan - an eerie successor to the Joker's inaugural caper - is to drug a factory in Gotham that manufactures infant formula. James, Jr.'s goal is to create a generation of psychopaths, to remake Gotham's children in his own image. He calmly explains as much to Dick as he tortures his cousin, Barbara: Gotham is a city of nightmares... in the truest sense because what's a nightmare if it isn't a warning? A vision of yourself at your weakest... Batman - the real one - he shapes Gotham out of an obsession... but you new crop, you do it out of compassion. Out of empathy. Out of weakness... And out of all of them, Dick, you're the weakest. [Gotham] is a city of nightmares, and I'm yours. I'm the face you see in the glass. A man with no conscience. No empathy. Gotham made me to challenge you... I am Gotham's son. And the city made me so I could help usher in a new generation of children. Dick proves that his compassion is more a weapon than a weakness, thwarting James, Jr. (probably). But Black Mirror leaves us with an unsettled, uneasy sense that this fight is darker and longer than we thought. We start to wonder if the Batman's quest is actually winnable, in the end. But Dick Grayson never wonders. That's what separates him from the James, Jrs. of the world. That's what separates him even from Bruce. This is a different Batman. Full of optimism. Playful - he makes jokes and teases his teammates. Dick's Batman is at once totally different from Bruce's and at the same time wholly Batman. Most importantly, Dick is hopeful. And it's ultimately that hope that lifts us up over even a surprisingly ambiguous ending. Dick said it perfectly early in the book: I couldn't understand why Bruce... always chose to drive through the streets, moving on the ground... when he could've just soared above it all. But I get it now. Because even back then he understood that Gotham is a place you can never get above, a place you can never see clearly... I can't help it, though. I'm built differently. Because there's something about seeing Gotham from the sky that energizes me, gives me hope, if only for a moment before I come back down to earth. Dick hopes that Gotham can be better. It's a hope that transcends anything even Bruce has. And it's that hope that draws him and those around him - like Jim and Barbara to fight the good fight. Bottom Line: Whether you're a long-time fan of the Batman or only know The Dark Knight, Snyder's book is a must read. The characters are amazing. The plot is fantastic. The art is breathtaking. From start to finish, The Black Mirror is a sterling example of the literary power of comics you'll want to read over and over again. *Since DC Comics has rebooted their entire franchise, none of this is the case anymore. Bruce is back to being the Batman and Dick Grayson has returned to his role as Nightwing.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on December 13, 2011

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