Edelbrock Perf RPM Cam and Lifters Kit Ford FE 352-428
SKU: 20257518492

Edelbrock Perf RPM Cam and Lifters Kit Ford FE 352-428

Sale price$273.60 Regular price$304.00
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Description

Edelbrock Perf RPM Cam and Lifters Kit Ford FE 352-428Edelbrock part #7106 Performer RPM Camshaft is designed for Ford FE 390 428 V 8 applications. This Edelbrock cam kit produced 418 HP & 434 ft lbs. of torque when used with #7105 intake and #60069 cylinder heads on a 390 engine. The camshaft works well with high performance's street applications, Performer RPM cams provide power from 1500 to 6500 rpm. This hydraulic lifter camshaft is dyno matched to Performer RPM manifolds for high rpm horsepower

Edelbrock part #7106 Performer RPM Camshaft is designed for Ford FE 390-428 V-8 applications. This Edelbrock cam kit produced 418 HP & 434 ft-lbs. of torque when used with #7105 intake and #60069 cylinder heads on a 390 engine. The camshaft works well with high-performance's street applications, Performer RPM cams provide power from 1500 to 6500 rpm. This hydraulic lifter camshaft is dyno-matched to Performer RPM manifolds for high-rpm horsepower while still maintaining acceptable low-end torque. With 10 to 12 inches of manifold vacuum at idle, Performer RPM cams have more lift and duration than most street camshafts. Hydraulic flat tappet lifters are included with each Performer RPM camshaft. Camshaft Specifications: - Duration @ .050 Intake: 236 degrees - Duration @ .050 Exhaust: 236 degrees - Lift @ Valve Intake: .572" - Lift @ Valve Exhaust: .572" - Lobe Separation: 108 Degrees - Intake Centerline: 103 Degrees - Idle Vacuum @ 1000 RPM's: 11"

  • Take the Guesswork Out of Camshaft Selection!

This Part Fits:

Year Make Model Submodel
1958 Edsel Citation Base
1958 Edsel Corsair Base
1963 Ford 300 Base
1961-1971 Ford Country Sedan Base
1961-1971 Ford Country Squire Base
1964-1971 Ford Custom Base
1964-1971 Ford Custom 500 Base
1968-1974,1976 Ford F-100 Base
1975-1976 Ford F-100 Custom
1975-1976 Ford F-100 Northland
1975-1976 Ford F-100 Ranger
1975-1976 Ford F-100 Ranger XLT
1976 Ford F-150 Base
1975-1976 Ford F-150 Custom
1975-1976 Ford F-150 Northland
1975-1976 Ford F-150 Ranger
1975-1976 Ford F-150 Ranger XLT
1968-1974,1976 Ford F-250 Base
1975-1976 Ford F-250 Custom
1975-1976 Ford F-250 Northland
1975-1976 Ford F-250 Ranger
1975-1976 Ford F-250 Ranger XLT
1968-1974,1976 Ford F-350 Base
1975-1976 Ford F-350 Custom
1975-1976 Ford F-350 Northland
1975-1976 Ford F-350 Ranger
1975-1976 Ford F-350 Ranger XLT
1961-1970 Ford Fairlane 500
1966-1967 Ford Fairlane 500XL
1961-1969 Ford Fairlane Base
1961-1967 Ford Galaxie Base
1961 Ford Galaxie Club Victoria
1961 Ford Galaxie Starliner
1961 Ford Galaxie Sunliner
1961 Ford Galaxie Town Victoria
1962-1971 Ford Galaxie 500 Base
1962-1964 Ford Galaxie 500 Sunliner
1962-1964 Ford Galaxie 500 Victoria
1962-1970 Ford Galaxie 500 XL
1964-1965,1968 Ford GT40 Base
1966-1967,1969 Ford GT40 MK III
1965-1971 Ford LTD Base
1970-1971 Ford LTD Brougham
1967-1970 Ford Mustang Base
1970 Ford Mustang Grande
1970 Ford Mustang Mach 1
1967-1970 Ford Mustang Shelby GT-500
1968 Ford Mustang Shelby GT-500KR
1961-1971 Ford Ranch Wagon Base
1970 Ford Ranch Wagon Police Cruiser
1967-1969 Ford Ranchero 500
1967 Ford Ranchero 500 XL
1967-1969 Ford Ranchero Base
1968-1969 Ford Ranchero GT
1961-1969 Ford Thunderbird Base
1968-1970 Ford Torino Base
1970 Ford Torino Brougham
1969 Ford Torino Cobra
1968-1970 Ford Torino GT
1969-1970 Ford Torino Squire
1970 Ford Torino Super Cobra Jet
1967 Mercury Brougham Base
1964-1967 Mercury Caliente Base
1966-1967 Mercury Capri Base
1961-1971 Mercury Colony Park Base
1964-1965 Mercury Comet 202
1964-1969 Mercury Comet Base
1961-1968 Mercury Commuter Base
1967-1970 Mercury Cougar Base
1969-1970 Mercury Cougar Cobra Jet
1967-1970 Mercury Cougar XR-7
1963 Mercury Country Cruiser Base
1964-1970 Mercury Cyclone Base
1969 Mercury Cyclone CJ
1970 Mercury Cyclone GT
1969-1970 Mercury Cyclone Spoiler
1963-1966,1969-1970 Mercury Marauder Base
1969-1970 Mercury Marauder X-100
1967-1970 Mercury Marquis Base
1970 Mercury Marquis Brougham
1961-1963 Mercury Meteor Base
1964-1968 Mercury Montclair Base
1968-1969 Mercury Montego Base
1968-1969 Mercury Montego MX
1961-1970 Mercury Monterey Base
1963,1969-1970 Mercury Monterey Custom
1962 Mercury Monterey Custom S-55
1963,1966-1967 Mercury Monterey S-55
1964-1968 Mercury Park Lane Base
1964-1967 Mercury Villager Base
1966-1967 Mercury Voyager Base
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SKU: 20257518492

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4.6 ★★★★★
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Product Reviews
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Verified Purchase
Doc Watson
West Palm Beach, US
★★★★★ 3
Gothic Star Wars
Format: Paperback
This trade paperback collects all the issues for the Screaming Citadel story spread over several titles, including the main stay Star Wars series and the Dr Aphra book. As one might expect from a story spread over different titles with different artists and writers, the presentation varies. The art is all over the place. In the Marco Checchetto-drawn initial issue, everyone’s favorite amoral artifact hunter, Dr Aphra, is a striking space vixen. But in the following issues she’s hardly recognizable as the same character--mousier, if still menacing, in her trademark Russian tanker’s hat. To a lesser degree, the same is true for the other characters, including the main SW group. It’s understandable, but a bit disconcerting. The story centers on Dr Aphra, who, in need of a Jedi for one of her typically nefarious purposes, recruits Luke into her scheme. Unfortunately for Aphra, she’s up against a more ruthless foe in the harlequin-looking vampire-like Queen of the Screaming Citadel. Before long, the rest of the group has to show up to rescue them. It’s a gothic story, set in scary castle—not the usual Star Wars fare. There are some good points. Dr Aphra’s almost sociopathic outlook is always good for a few choice lines, the “murderous machines” Bee Tee and Triple Zero are on hand for their own gruesome commentary and some of the Queens hench-people, while not given much to do, are interestingly designed. But overall, the horror movies plotline didn’t seem much like Star Wars to me. Recommended for those who enjoy that type of story, or completists.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on February 27, 2018
P
Verified Purchase
PWDecker
Cuba, US
★★★★★ 4
Luke and Doctor Aphra team up!
Format: Paperback
This is the second crossover event in the Marvel Star Wars comics. It brings the ongoing Doctor Aphra and Star Wars series together. I liked the pairing of Luke with Aphra. They play well off of each other with Luke's naive goodness and Aphra's experienced gray morality. I liked when she called him a wannabe padawan. There are some well designed characters in this comic. The residents of the Screaming Citadel have a goth bdsm vibe. Luke even gets to dress up. I liked seeing him in something different. I want to know more about Sana and Aphra's past!!! Please, Marvel, make a queer love story prequel!!! The murder droids are wonderful. Having them on the same side as the "good guys" for at least the time being led to some funny situations. The last panel intrigued me. I give this graphic novel a 4/5. I am always here for more Doctor Aphra!
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Reviewed in the United States on December 29, 2017
K
Verified Purchase
Kindle Customer
Pawtucket, US
★★★★★ 5
Excellent mini series.
Format: Kindle
This is an excellent follow up to Vader Down. Luke Skywalker and friends take on a bigger threat than The Empire and Darth Vader that is connected to the Jedi. Luke and Dr. Aphra join forces to find the answers Like is seeking. Truly worth reading and entertaining.
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Reviewed in the United States on June 23, 2019
R
Verified Purchase
Ryan of the East Coast
West Palm Beach, US
★★★★★ 5
Source material for Nolan's trilogy is powerful writing and art...
Format: Paperback
The Long Halloween is great, but I actually had more fun reading through Dark Victory. It's a crime mystery that consistently had me guessing through to the conclusion about who The Hangman's true identity was. What I really loved most was the evolution of the characters' personalities--from Jim Gordon to Harvey Dent to Bruce (who really is more in his iconic "Batman" persona here)--that began in Batman: Year One to Batman: The Long Halloween and into Batman: Dark Victory. It really does work like a trilogy. It's also notable to include Gotham city's underworld itself as a character of its own. Batman begins (pardon the pun) in Year One with a quest to sort of rid the city of the mafia, which is and has been the main criminal body up until this point. In The Long Halloween, the mafia begins to lose power because of the rise of the Batman's presence. During that time, some of the most insane and dangerous criminals escape Arkham Asylum and begin quietly terrorizing the city anew, spreading like a virus. Slowly, the "freaks"--as the mafia calls them--start to gain more and more power by simply being a more unorganized crime source (as opposed to organized crime). Characters like Pamela Isley, Solomon Grundy, Mr. Freeze, the Penguin, Scarecrow, the Joker, and others, establish and strengthen their grips on Gotham's criminal underworld. It's nice that these villains--these "freaks"--also aren't the main conflict in Dark Victory (or The Long Halloween or Year One, for that matter); they appear when it is effective for them to appear, slowly taking more prominence in the setting of the story as it progresses. The main conflict has to deal with the solving of the mysteries behind The Hangman killings. The Long Halloween and Dark Victory are, primarily, crime mysteries, which is what makes them interesting. What makes them great literature, however, is the creative team that is Jeph Loeb and Tim Sale. Loeb's writing is really well-crafted here: the entire arc unfolds at a consistent pace and he balances out dialogue with Batman's internal narration very smoothly. And, as I mentioned previously, personality and narrative arcs of the main characters (Gordon, Batman, and Dent) have fully matured by this point in the trilogy, leaving the supporting characters a chance to evolve and come into their own. Much of these progressions are not just depicted by the writing, however; Tim Sale (who worked previously with Loeb on The Long Halloween) elevates and perfects his artwork in this story. There's not a change in the look of the characters, so you know it's definitely his style, but you sense immediately (especially if reading Dark Victory right after finishing The Long Halloween) the new level of attention paid to composition of the drawings. Shadows and silhouettes, contrasts between setting and characters, everything adds to the mood and atmosphere of the characters and the scenes they're a part of. In terms of the print itself, the paperback is excellent. This and The Long Halloween have really nice paper, which I'll catch myself sometimes randomly sniffing in the middle of a read to enjoy the new paper smell. The ink is really crisp, the colors pop, and the design of the book itself is laid out very clearly. There aren't page numbers or a contents page, but every issue is separated by chapter pages that include gorgeous, high-contrast artwork to help distinguish which issue you're on. Additionally, the print comes with an introduction by David S. Goyer, who co-wrote the Nolan film trilogy. Overall, I can't stress enough how gorgeous this trade paperback is and how excellent and top-tier this story arc is. I really enjoyed it just as much, if not more so, then The Long Halloween. No other Batman story arc has topped my enjoyment of this particular trilogy. Highly recommended in addition to Batman: Year One and Batman: The Long Halloween.
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Reviewed in the United States on June 9, 2019
K
Verified Purchase
Kris
Lexington, US
★★★★★ 5
I love this comic book!
Format: Paperback, Format: Paperback
I love DC comics and obviously the Batfam are some of the most well known and loved characters within the DC universe. I love the art style and story in this comic. If you are debating whether or not to purchase this comic, DO IT!
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on December 23, 2025

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