Maton Guitars Solid Road Series SRS-70C-12 String Dreadnought - 16215

Maton Guitars Solid Road Series SRS-70C-12 String Dreadnought - 16215Maton Guitars Solid Road Series SRS 70C 12 String Dreadnought 16215 The New Solid Road Series SRS70C 12. Tasmanian Blackwood Back and Sides, A Grade Sitka Spruce Top, Scalloped Bracing, Queensland Maple Neck, Rosewood Fingerboard and Bridge. Tasmanian Blackwood (also named Victorian Blackwood) is in the acacia family, with a surface hardness on par to its sister wood Koa which grows in Hawaii. It provides excellent projection, while the density

Maton Guitars Solid Road Series SRS-70C-12 String Dreadnought - 16215

The New Solid Road Series SRS70C/12. Tasmanian Blackwood Back and Sides, A Grade Sitka Spruce Top, Scalloped Bracing, Queensland Maple Neck, Rosewood Fingerboard and Bridge.

Tasmanian Blackwood (also named Victorian Blackwood) is in the acacia family, with a surface hardness on par to its sister wood Koa which grows in Hawaii. It provides excellent projection, while the density (specific gravity) is slightly higher offering a warmer bass register than Koa. Combined with the Sitka Spruce top you have a powerful yet balanced full sized dreadnought.

Not many builders offer a full sized dreadnought with a cutaway option, though Maton has been listening to performers longer than most guitar luthiers. They understand player's needs and build the quality tools to support their music.

A forward shifting of the X braces and the shifting of scallop peaks to nodal points around the soundboard help to enhance the vibration of the top. The shifting of the X braces also allows the inclusion of a second, parallel tone bar which allows the scalloping of both tone bars, and spreads the load while reducing mass.
 
Adjusted bracing heights as well as a locked15 foot radius for the arch of the back, gave Maton the plate resonance separation they look for between top and back.

In its 5th generation, the AP5 Pro features an internal Microphone and 6-Piezo bridge input, with controls that allow for blending of both microphone and piezo levels prior to sending the actively combined signals through the well engineered pre-amp.

The highly selective cardioid microphone system allows for much greater microphone level before feedback in live environments. This upgraded AP5-Pro microphone is direct mounted to the pre-amp casing with an adjustable arm, which permits easy final tweaking of microphone position to suit the individual artist's playing style.

Using the ‘Sweep-able Mid’ controls. Mid-range is sweep-able from 1 to 2khz and can be cut or boosted within this range. As a general rule we start out with all settings ‘flat’ then alter them to achieve the desired tone & presence based on the venue or recording environment. For example, an open, natural sound can be achieved by setting the frequency control at 1.4khz and the boost/cut control at 5db. Alternatively, for a ‘thick’ lead sound boost your mid's by 5 db and set the frequency dial at 1.7kh.

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